there were a lot of good things about today. my legs are tired, my eyes are sleepy, my heart is warm, and my mind is busy.
katlin, margot, and i made our way to the art & design campus of kingston university to sign up for classes and work out some scheduling kinks.
i was not expecting an introduction to professors and even a bunch of the second year students, but this and more are what i got. one of the fine arts professors i spoke with first gave me a really great introductory statement explaining the kingston art education system and how it benefits the students.
he described that the system heavily stresses and is based on individual learning and discipline. all of the 'professors', introduced by their first names, are practicing artists, which is directly correlated with the idea that they don't teach the students, but instead guide them in their path to becoming a successful individual artist in the real world. they encourage but do not strictly hold students to conducting research, taking time to discover and explore different ideas, experimenting, learning to consult and take criticism and direction from peers, and creating art with a strong contextual presence. i am so fascinated not only by the way the british run their schools, but simply in the vast difference from an american school to those in ENGLAND for buddha's sake. maybe i will just always possess the childlike intrigue for all the variation that comes with traveling; change and difference are so cool.
the british seem a lot more interested in conceptual art than purely formal art, which is less strict in the states. a lot of american artists these days get by simply by making 'good looking art', which i would say i used to be a complete advocate for. but as i delve further into the art world, taking more specific classes, particularly in the illustration department, and further away from practicing basic skills in fine art, i am starting to get sick of realism and wondering if whether even though it might be what i'm good at, is it what i want to spend more time on.
so, with this really in depth fine art studio course i will have my own space, be working under my own direction, creating work and ideas completely curated by me, in another country, amidst all the other exciting things i'm going to be learning and seeing. i'm scared shitless, i'm nervous, i'm overwhelmed, i'm shocked, but i'm so excited and i think i could really learn a lot from kingston this semester.
it's so different from any system i've come in contact with in the u.s. and i'm afraid i might find that i prefer this way.
the day ended with a stop at the grocery store for candles and french quiche ingredients, the cooking of french quiche (by our little french friend, margot) and drinking wine à la maison de katlin, and the eating of french quiche whilst watching the movie "an education."
all of the days have been wonderful, but today was another example, one with good friends, good food, lots of walking, and always discovering new things.
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kingston doesn't believe in keeping all areas of study confined and together, and therefore they won't seat a painter next to another painter, but rather a media artist could be working next to a sculptor. i love this. |
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these girls were really lovely to me. they were trying to pour plaster into a balloon but it wasn't working properly and instead making incredible farting noises. which drew a crowd. |
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the studio space for fine art students was really just one huge room. i was really impressed by the work students had up for assessment. |
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the art building/campus is situated right on the thames river, which i thought was fantastic. |
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after talking with student artists for a while, i went outside and watched some ducks fight with each other. |